![]() The gynoid Dorothy from The Big O speaks in a level electronic grate - although peculiarly, instead of making her seem detached or dispassionate, it transforms her into a snickeringly incisive Deadpan Snarker.This trait was carried over into the dub by giving her a British accent, and casting Caitlin Glass to play her. Chachamaru in Mahou Sensei Negima (played by Akeno Watanabe, who also plays Robin Sena).Project 2501 "the Puppetmaster" from Ghost in the Shell speaks in monotone constantly, and for added dissonance, has a male voice in a female body, and does not move the mouth.This is made twelve times creepier because the Creepy Monotone it uses is the voice of Juri, one of the main characters, whom it had absorbed early on. The Cosmic Horror of Digimon Tamers, the D-Reaper, also uses a Creepy Monotone (this time because it is evil/a computer program).Aizen's English voice from Bleach, his VA used HAL as an a inspiration.The Melancholy of Haruhi Suzumiya: Yuki Nagato. ![]() A few minor events suggest that Tres does some of this intentionally, he's certainly not as unemotional as people think.Probably one of the only example who actually acts as unemotional as a walking computer would. He's still the kind of guy who proposes killing a small child for simplicity's sake, and lacks emotions of any kind. Father Tres Equis from Trinity Blood, except he's a cold killer android.Contrast Electronic Speech Impediment, where the lack of a Machine Monotone is a cause for concern. This can be an aspect of the Uncanny Valley.Ĭompare Synthetic Voice Actor. Also a justification if the voice comes off as creepy. Despite going crazy and deciding to to Kill All Humans or simply to take over and rule us for our own good, all the threats and casually vicious comments the machine makes are made in the same level, calm mode of talking, making them that much more creepy.Ī subtrope of Creepy Monotone. This is especially evident when an artificial intelligence goes nuts. When delivered in a flat monotone voice (that is usually free of contractions or slang), even Spock Speak can take on creepy undertones. This is because, for the most part, machines are incapable of actually feeling emotions. Usually, such voices have been portrayed as either an electronic monotone, or as an endlessly calm human voice that, while certainly warmer than the electronic buzz of the synthesizer, is unsettling to listen to because of a lack of basic emotional content. Machines that speak have been a common element in Speculative Fiction almost since the beginning of the genre.
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